- English Painter
- Foremost exponent of Op Art.
- Currently lives and works in London, Cornwall and France.
- Seductive use of colors and shapes.
- very persistent work with firm definite qualities and themes of patterns, repetition and sequence.
- Stare long enough and her work actually bulge and move and they seem to come growing.
- A sense of movement, pattern and organic feel.
- One tends to go hot and cold while analyzing her work.
- Her work tends to glimmer and move, catching viewer's visual tension.
- Looking at her work gives you a feeling that a painting is not always constant.
Fall, 1963, Bridget Riley
- In her painting "Fall", she was taking a single form and was analyzing its essence.
- This painting of her opens the door of perception, sucking you into another proportion where nothing is so sure and all is repeated.
- A great visual effort is required to browse the shape of the strips, as they get dense towards the bottom.
- For her a curve actually is a rise or fall of a straight line.
- Because of repeated abstract marks and optical sensations, your eye does not know where to rest.
- I often end up seeing color even though they are painted in black and white.
- Connection between 'stability and instability, security and insecurity'.
- hypnotize the eye.
- Using of repeated forms and lines depict her work.
SOME OF HER OTHER WORKS:
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